Sunday, April 25, 2021

Salutations!!! Ladies and gentlemen Where do we even begin...this time last year feels like a century ago. Pre Pandemic Pre Vaccine Pre Face Masks just about Pre everything that is today...and movies have been affected as well. Partially why I have taken so much time to make this list was exactly that. Not many films got to be released on schedule, many pushed back, and many released on demand. So I took my time to catch up on as many as I humanly could. Unfortunately I did miss a couple (Minari, The Mauritanian) but it was a tough year needless to say. Oscars are literally today and that has always kind of been my absolute deadline for making these lists. Procrastination at its finest I know. Anyways, For the 10 or so of you out there that actually read all these nerdy movie blogs of mine I DID THIS FOR YOU!!!! SO without further adu….lets get to it
                         #10 RED DOT
This Swedish language riveting Netflix thriller caught my attention after hearing it has a jolting twist ending. And boy does it succeed. Nothing out of ordinary story wise on the outside looking in about a newly engaged couple fighting to keep their relationship afloat and taking a trip to see the northern lights to rekindle that love only to be tormented and harassed by some douchey locals in the middle of their trip. To say literally anything more would give too much away that leads to one of the most jaw dropping WTF final 25 minutes that I must admit was as successful a twist as I have seen in quite some time. Disturbing and unsettling yes but a punch to the gut that will leave you shook. And at just 85 minutes there are literally zero filler moments.
                       #9 LOVE AND MONSTERS
A surprisingly very entertaining monster movie in a post apocalyptic world, Love and Monsters reminds me of a cross between the loner vibes of I am Legend mixed with the comedic edge of Zombieland. Survivor films sometimes can fall into a one trick pony show but Love and Monsters doesn’t take itself too seriously and that's half the fun. The other half is a visual treat of great visual effects (Oscar nominated) and a boy on a mission to be reunited with his girlfriend whose miles of monsters away. These mutated giant bugs and insects have been affected by radiation and gas chemicals when governments launched their nuclear missiles at an asteroid to save earth only to leave it in ruin by the result it had on nature. Climate Change baby. (not on any streaming platform yet, but can Rent it on Amazon or Apple)
                       #8 THE SOUND OF METAL 
 Riz Ahmed!!! That’s it!!! Just hand him the Oscar now and if he doesn’t get it it’s for outside of acting purposes. He single handedly drives this movie with a towering performance of a heavy metal drummer who's slowly losing his hearing. It’s an awful display to watch what must only be torturous to experience but the film does one major exceptional job with its sound design to give you the effect of what it literally “sounds like” losing your hearing. I can’t imagine going through what his character does and his performance is simply phenomenal. (Amazon Prime)
                             #7 DA 5 BLOODS 
 Under appreciated at almost all award shows and also underrated by many I feel but this movie was pretty damn good and legit one of Spike Lee’s best works in a while. Delroy Lindo got criminally hosed by all the acting categories when clearly there weren't 5 better acting performances of the year than his. He deserved at the very least a nomination for his portrayal of one of the vets from Vietnam who go back to retrieve their squad leader's body (Chadwick Bowsman who also did terrific in this) and their riches they left behind decades ago. Lindo’s character particularly suffers a lot of PTSD and it bleeds out into his relationship with his son who also tags along for the trip. It’s a powerful war drama that isn’t without some flaws but they are mostly dismissed by all the wonderful performances from just about everyone. Spike Lee also shoots some of his best “action sequences” i've seen out of him since the Inside Job. (Netflix)
                               #6 POSSESSOR 
 Following in his famous father’s directing footsteps, Brandon Cronenberg (son of David Cronenberg) enters the same weird dark disturbing psychological thriller realm his father does so often...and out the gate he knocks his first feature out the park. Possessor tells one of the craziest creative original stories I’ve seen in quite some time, a very black mirror-esque sci fi bender where a company carries out assassinations for wealthy clientele/agencies by using an advanced technology that allows them to put a hitman inside the mind of anybody it wants and the host is powerless to stop them from carrying out the act. Once the assassination is complete the host kills themselves or die by suciide in some fashion. It’s disturbing and dark, not for the faint of heart, but it's a riveting ride. As one of the hosts the company's best assassin tries to embody fights back, things begin to head toward a harrowing dark finale that is as relentless as the characters involved in this mind trip of a movie. Grab a popcorn if you enjoy dancing on the dark side this movie is a mind fuck. And a really well done one. With really impressive performances by its main two leads who fight for the mind control of one body. (Hulu)
        #5 JUDAS AND THE BLACK MESSIAH 
 A gripping powerful moving biopic into the last days of Black Panther chairman Fred Hampton (a knockout stellar performance from Daniel Kaluuya) and the man who infiltrated his party and betrayed him as an fbi informant WIlliam O neal (also stellar and breathtaking performance from Lakeith Stanfield). A wonderful supporting cast of character actors who all play their roles to a T. This film evokes a lot of troubling spirits that still linger into today's world of injustice and racial tensions but it's one that shows just how little and small we've grown from the 1960s in all of this. A timely piece of filmmaking that hopefully helps push a stronger conversation past a few discussions and blinks of an eye. (available to rent on Amazon and Apple)
            #4 THE TRIAL OF THE CHICAGO 7 
 Another film that takes place almost in the same timeline as Judas and the Black Messiah (Fred Hampton actually shows up in several scenes in this film) and similarly evokes a lot more of the same troubling spirits that Judas evoked and still is of troubling concern in 2021. In the 1968 Democratic Convention in Chicago, thousands of protestors planned to protest the convention due to the ongoing problem that was the Vietnam War and those who felt we should have never got involved. The focus on the particular 7 that the government blamed on inciting the riots that ensued when in fact it seemingly comes across that the police incited as much if not more so. Another timely piece of filmmaking resonating with a lot of what has been transpiring around the world over the past year between racial violence, police brutality and government silencing, Chicago 7 is a courtroom drama that is fascinating, disturbing in its own way, immensely powerful and exceptionally acted by all parties involved, none better here than Borat himself Sasha Baron Cohen. A must watch drama that I highly recommend to be seen by as many people as possible. (Netflix)

       #3 ANOTHER ROUND (DRUK - danish) 
 Last year the whole world got introduced to one of THE BEST foriegn films ever made and rightfully took home the Oscar for best picture (The rare #1 and Oscar winning choice: Parasite). This year’s lone choice for foreign film to make the list is a wonderful and beautiful film that is rich in happiness, sadness and discovering one’s purpose when you allow life to become stale. A group of 40-something year old friends celebrating one of their birthdays realize all their lives at a school has become boring and routine, both with their work and their families. One of which mentions a study that reads where if you drink enough alcohol daily to keep your BAL (blood alcohol level) at .05 you will sort of “jumpstart” your life back into purpose. The group of friends decide then and there to give this study a try and immediately their social life blossoms, they find new inspiration for their work that excels, and their family life is vastly improved too. Everything is going well until one by one they decide to kick things up a notch by increasing their BAL steadily and then things go south badly. The always a sight to watch on screen Mads Milkenseen leads these group of friends down the rabbit hole of midlife crises and is as good as he’s been on screen since his diabolical amazing performance as Dr Hannibal Lecter on tv. The film’s director is nominated for best director and he did a phenomenal job behind the lens. One such tactic I found creative and innovative was how he would use the camera during some of the drunk moments almost in a hazy type erratic method to give the audience the feeling of being tipsy with these characters. He also wrote the screenplay as well which sadly has a dark story behind it as 4 days into the movie his daughter was killed in a car accident who was going to play Mads daughter in the film. He took a week off of filming before returning and deciding to make the film more directed on the “awakening of life” rather than just a mere comedy of drunk friends like he had originally planned. It's tragic but you feel that inspiration behind why the moral of this wild tale is centralized primarily on finding one’s happiness in life and being free. It's a wonderful story that I hope some of you will give a chance despite its subtitles.
           #2 PROMISING YOUNG WOMAN 

 This very well might be the film all feminists METOO groups will adore and flaunt over but it actually succeeds. Succeeds exceptionally well. Starting with the directorial debut for Emerald Fennell (also nominated for best director and best picture) who exhibits a clear eye for the lens. And an absolute stunning tour de force performance from Carey Mulligan who deserves every acting award given to actors. She plays Cassie, whose entire life upends after her best friend is raped and eventually kills herself  with no ramifications given to any of the men involved in it. She drops out of med school and single handedly gives up her life’s dream and happiness to exact revenge by going to bars and clubs acting drunk and going home with strangers that prey on drunk women and attempt to rape her until she breaks out of her act to reveal just how “nice guys” they truly are. The film dances between hardcore serious rape drama and darkly comedic exploits to show the audience its okay to laugh but you’re going to immediately regret finding any of this funny at all. Fennell also does one incredibly smart job of purposely casting a slew of “where have i seen that guys face before” actors that all come from past films and shows where they are the clean cut bachelor-esque “nice guys” to show how any man can be a predator on women. It’s very effective. The film is shot brilliantly, Fennell uses a lot of bright color schemes in several shots of the film as well as selective poppy female songs to illuminate the feeling of a young woman’s barbie like spirit. It’s an absolutely excellent film crafted as smart and clever as I’ve seen a movie that is pretty much about rape and the “good ol boys” that can’t possibly be that bad.
                                #1 S O U L

Pixar has finally outdone themselves (again). After a slew of sequels (dory, incredibles, toy story) and what feels like ages since they’ve done an original piece of work (the amazing coco is the only stand out), Soul comes along and after a recent second watching it truly might be (and i know I’m going to probably get flack for this) Pixar’s best film yet!!!! Soul tells the story of a jazz musician (voiced perfectly by Jamie Foxx) who after years of being an over qualified band teacher at a middle school finally gets the calling of his dreams to play for a jazz band. Only moments after reveling in the announcement, he falls to his death into a manhole not watching where he was going. Thrusted into a world in between of sorts, his soul is wandering trying to avoid falling into THe Great Beyond and fighting to get back to his body to fulfill his dream. This is where Pixar begins flexing its creative muscles like we haven’t seen in quite some time (I would say since Walle) and forces us to reflect between how we see life and death and the meaning of what we seek out of it. If you’re a parent out there, finding it difficult to approach the subject of life and death with a child, Soul is the perfect bridge to begin that conversation. It’s beautifully constructed with amazing “soulful” jazz tunes that will bring about a spark in any fan of music, whether it’s jazz or not. This might be the least funniest Pixar movie ever made and although I often laughed at both watches, this feels more like a Pixar deep drama with moments of laughter sprinkled around. I actually very much enjoyed this aspect and would welcome to see more “serious toned Pixar '' films because it's clear the creative team behind the company has some of the brightest story tellers we’ve ever seen. This movie will make you laugh, make you cry even, make you wonder in awe and maybe...just maybe….move your mind to thought, and ponder on the bigger picture of life and however that pertains to you. We love Pixar to simply give us nice cute little kid movies that help parents get a couple hours of peace perhaps but I welcome the Pixar of movies like this, Walle and Inside Out that dares to dive into deep discussions that we try to hide from our children but really is a conversation that is better put forward than waiting because of whatever pre conditioned notions we have in our minds. Some will say I don't need more reminders of life’s trials and tribulations. I want more escape in my two hours. God knows we have plenty of those already...

Friday, February 07, 2020

TOP 10 Films of the Year



A lot has happened since I last dropped one of these movie blogs.  Skip one year and movies radically change overnight I guess.  Disney and Marvel will still reign king at the ticket line but what is slowly becoming are stories with something to say about the current times were all in and people taking notice.  And by notice, I mean watching and making these movies relevant.  Who in a million years thought you could make a Joker arthouse character study on a thin budget of about $30 million and turn in over $1 billion WITH NO BATMAN involved?

Foreign films have fully infiltrated their way into Hollywood.  Movies like Parasite have existed in the Korean art world for years, some of which have been on this very blog before.  Clearly none have reached the level of mastery as what Bong Joon-Ho has accomplished in Parasite, but it’s a pleasure to finally see outside cultures get relevance in ours.  When a film is great, country and culture should have no barring on where it ranks above one we feel more familiarized with.  I am very excited to see just how much more as an audience we can continue to grow and appreciate good cinema.  And know its okay to enjoy the rollercoaster blockbuster rides that we can offer, because there are times where we need that popcorn escape.  Both worlds can live together and not be a battle of which is art, and which is pure bliss. 

 
Anyways, here are the TOP TEN films of the past year 2019 that I felt hit that very target between those two balances. 


HONORABLE METIONS
 
Under the Silver Lake

The Lighthouse
 
Arctic
 
Godzilla King of Monsters

The Nightingale
 

 I’m just going to go over the honorable mentions quick, instead of individually.  So, Under the Silver Lake was this A24 indie flick I stumbled upon on Amazon Prime one day and it stars Andrew Garfield (yes that’s the Spiderman nobody remembers).  Weird Hollywood/LA underworld murder mystery artsy flick that really caught my attention.  I enjoyed it for what it was.  LIGHTHOUSE was the acid trip of the year if there was a category as such.  Dafoe and new Batman Pattinson killed their duo roles as men strung on an island manning a lighthouse as they devour bottle after bottle and slowly lose their fucking minds.  Arctic is Mads Milekkesen (Hannibal Lecter) being Mads Milekksen.  If you don’t know what that means, its him versus nature being as only Mads can be.  I very much enjoyed it.  Don’t laugh like I’m sure you did but Godzilla King of Monsters was exactly what I meant when I said popcorn escape.  Just the exact definition of a fun summer action Hollywood ride.  I really enjoyed this more than I had expected.  And lastly The Nightingale is the anxiously awaited follow up by the director of the Babadook.  Nowhere near as frightening a film as it wasn’t trying to be, but still stirring and intense.  Jennifer Kent has a seriously bright future in the thriller genre. 

 

WITHOUT FURTHER ADU….THE TOP 10
 
#10

THE IRISHMAN
Martin Scorsese’s dream story for almost two decades.  The dream team of mafia tough guy actors of the past 30 years.  The man who probably may have really killed Jimmy Hoffa.  The movie was destined for greatness before the first minute ran on a 200 plus minute movie.  Perhaps it was a bit much of it all.  Perhaps for me anyway, the digital facial technology whatever its called to “make DeNiro look 40,” just didn’t sit well with me.  Everyone was still a knock out, especially Pesci my god, talk about not acting for years and coming back with home run.  In the end, I’ve felt I’ve seen far better gangster flicks even from the master of cinema himself.  Irishman was a wonderful film, it just came out 20 years too late and without the need of this technology. 
 #9

UNCUT GEMS
Adam Sandler was a tour-de-force times speed and Adderall on an 8-ball binge.  That was this rollercoaster of a performance from the Sand man, whom was terribly shunned out of the best actor categories.  Well probably never see Sandler this chaotic and douchey again.  But for anyone whose every placed a sport bet and felt the outer body experience that some bets take you to, you’ll completely understand the lunacy behind Sandler’s gambling degenerate character.  Oh, by the way, Kevin Garnett can fucking act too.
#8 and #7
 

US and MIDSOMMAR
I wanted to discuss both these films together and honestly, I can make a case for loving either film over the other.  So, they take these two slots.  Jordan Peele and Ari Aster right now are the leaders to take horror back to the promised land.  And I anxiously await where these two demented minds take us next.  Because they have two bright voices that show us two completely different styles of horror.  Peele’s US was another take on social prejudice but this time not on race (like a lot of people expected) but on class.  Similar in a way with what Joon-Ho had to say with Parasite (more on that later), Peele wanted to   pull back the curtain behind what makes us our own worst enemy a lot of the times.  Where Aster’s Midsommar is visually striking cinematography and his exposition is more of visual poetic horror than straight in your face.  And it takes a lot more peeling of the onion so to speak to grasp what he’s showing you.  Last year’s Hereditary was my favorite film of the year because in large fact how Aster’s camera work play is phenomenal and uncanny.  He is no different in Midsommar and dared to show audiences just how scared they could be in a 90% daylit film. Whatever is next from these two you can rest assure we are going to be in for a hell of a….treat.
 #6
 
FAR FROM HOME
 
Lost in the fire behind the mammoth of the Avengers finale ENDGAME was this FAR better than it should have been superhero film two months later called Far From Home.  Taken place soon after the events of Endgame and (SPOILER SCREW YOU) Ironman’s death, Peter Parker is a fragile and vulnerable “hero” who gets manipulated by the lately always amazing Jake Gyllenhaal MYSTERIO character and what ensues is a story rich in not only spectacle and awe (the razzle) but also a very crucial breakdown of what makes Peter Parker so damn lovable in these comics.  He is broken here, scared, in mourning and yet is expected to take on the reigns of this new future of superheroes, all the while he faces an enemy that should remind us all just how incredibly easy the weapon of media can be wielded and spun and used like an atomic bomb.  The film also features a three to five-minute sequence during which Spiderman first falls into Mysterio’s illusions that may very well be the best sequence in a Marvel film yet.  Or at least in quite a while.  And if it isn’t already clear, I’m sorry nerd horde, but this film blows away Endgame and all its sad nostalgia.
 
#5

ATLANTICS  (French – ATLANTIQUE)
This is where the list separates itself, as I feel these five films were by large and far the best 5 films I saw all year.  I had to make 6 through 10 work for the rest of the list, but these five were the strong standouts for me.  Starting with Senegalese director Mati Diop’s amazing film Atlantics.  She became the first black female director to have a film entry in the Cannes film festival.  It is extremely difficult for me to explain this movie to people because so much of the story is a surprise especially mid-way through, and although I’ve seen others explain away part of the surprise, I rather not do that.  It’s a beautiful story that spins between romance love story into supernatural ghost story with a strong message woven within it.  Must watch and then come discuss it with me (NETFLIX)
 
#4

JOKER
What else is there to say that hasn’t already been said about this film.  Or the never NOT amazing Joaquinn Phoenix.  The little movie that surely was going to make money due to its character, but no one expected THIS.  Once you realize the director Todd Phillips most known films before this was The Hangover, Old School and Road Trip is when your mind really starts to boggle.  It’s like well you casted Joaquinn Phoenix now you’re an auteur.  Well regardless of the how, what Phillips manage to pull off in Joker is nothing short of amazing.  A dark arthouse character study loosely based on the killing joke comic strip (there’s no comic origin for Joker ever) and of course the obvious Scorsese influence (he was producer).  Sprinkle that Phoenix magic and you have the culture shock movie of the year.  Yet another case study on socialism here is the underbelly of Phillip’s vision of watching one man’s slow descent into madness and how much society weighs in on that descent.  Were slow as a society here in America when coming to terms with the term “mental illness” because we operate in a world where its weak if you aren’t perceived as strong or masculine.  My hope is that with the $1 billion box office that normally goes to the likes of Avengers and Star Wars, at least maybe that same crowd that saw Joker now will open their minds more so about a touchy subject that needs a more vocal conversation. 
 
#3

ONCE UPON A TIME IN HOLLYWOOD
If one movie this year felt like a Hollywood All Star Game it was Quentin Tarantino’s opus to the golden age of Hollywood.  This movie just evoked happiness, innocence, joy, coolness, fun, laughter and just all the things the Hollywood lifestyle used to seem like from a distance.  Albeit within the shadow of the Manson murders on the horizon and with it all that innocence, this was a time that clearly meant a lot to Tarantino.  He grew up watching these spaghetti western’s that seem old and silly to us now.  But that effect left a lasting mark on a lot of people during that time, people like our parents and grand parents that remember when something was as simple as a cowboy and a robber.  Leo and Pitt here play actor and stunt double partners that seem to have the coolest bromance time ever.  They are as funny as they’ve ever been and the rest of the all star cast just emitted that fun cool vibe that came with living in late 60s LA.  The movie is gorgeous and wonderful, and it’s rare to see a Tarantino movie have this kind of vibe.  This seemed like the kind of movie a kid would make before he sets off on retirement to remind himself and others like him, what once was…
 
#2

1917
If there was one cinematic experience movie of 2019 that movie was 1917 (I know that sounds confusing, sorry).  1917 was the final film I made it out to see in theaters solely so I could finish this list before the Oscars.  Been only one other movie all year I saw alone in theaters (Midsommar) and let me tell you, of all the Endgames, Spidermans, Star Wars, etc etc….THIS MOVIE IS MEANT TO BE SEEN IN THEATERS!!!  Okay, nerd rant over.  But wow…Director Sam Mendez has outdone himself and this “feels” like his Gladiator.  The man behind great films like American Beauty, Road to Perdition and the best bond film ever Skyfall, he delivered yet another amazing cinematic experience that exceeds all those.  What Nolan did with Dunkirk I applauded and thoroughly enjoyed, but 1917 is far superior.  You can look back at my lone argument toward Dunkirk, only thing that usually is missing from Nolan blockbusters…the connectedness to its characters.  1917 is based upon Mendez’s own great grandfathers WW1 stories where he was a “runner” for the British army and tells the tale of these two incredible men who must travel between enemy lines to stop a battle that is certain death for the British army.  The movie is shot to seem like it takes place over one entire shot, over the course of a single day and you feel like you are inside the trenches of war like never before.  I have no problems with those who would say this was the best movie of the year because it was THAT GOOD.  But for me, the next film just had something more that we need to discuss in 2020. But make no mistake, 1917 was a powerful and nerve-racking intense film that I look forward to re watching again. 
 
#1
 

PARASITE
And here we are.  The movie I can not stop talking about since I saw it.  The movie I legitimately believe will go down as a masterpiece and classic film for a generation.  It’s the perfect game of movie making.  Or as close as it gets.  Bong Joon-Ho is no longer just a Korean director, he is a top of his class A1 movie director that deserves to call his next film whatever he wants.  I first fell in love with his style in the amazing Snowpiercer few years back.  Then I came upon Memoirs of a Murderer and of course the Netflix produced Okja.  In Parasite he has found his Mona Lisa.  A film that feels like it was painted by brush strokes at times and not just a camera lens.  Every image is an important piece of what he is trying to convey through story.  And this story about a poor family literally living underneath the street, whom one by one infiltrates a modern rich wealthy family with a house on top of the hill.  And with yet our final film depicting classism and socialism and its slap in the face toward what is happening just outside your door.  Whether you live here or in China. 
I’m not here to tell you how you should feel after watching a movie.  We all go for different feelings and emotions.  But for me as of late I have geared my attention more toward the eyes wide open style narratives that perpetuate a conversation toward the right direction.  And art has always been one of the best ways to express a voice.  I think in cinema period if you aren’t voicing an opinion or belief of something, then what is the point?  I was deeply moved by Parasite’s story and all its little nuisances that Joon-Ho mastered together like Neo when he firsts sees the Matrix and realizes he can stop bullets.  We are seeing a master Hitchcockian director with a finesse of which all movie buffs should appreciate.  This indeed is the best movie of the year!



Sunday, March 04, 2018

BEST in FILM 2017


Is it that time of the year already?  Your favorite movie nerd’s finest ten films are fresh and ready to be delivered to your screen.  This was a tough year for me to make this list, as I was mostly disappointed with what came out, more or less.  Even a couple of this year’s top favorites from a lot of critics didn’t really catch my interest and as per usual a couple I thought stood out were seemingly forgotten.  That’s what makes this merry-go-round called movie fandom so much fun though right…everyone is affected differently from one to the other.  As always, these are the ones that left an effect on me the most.  Albeit I didn’t truly have that standout WOW THIS IS IT film to hit me like in years past (i.e. La La Land, Mad Max, Revenant, Birdman, Departed…) that doesn’t mean there weren’t plenty of really good ones to choose from.  Without further adu…

THE HONORABLES
(The ones that were on the outside looking in)

Shape of Water – Oh you can lead the Oscars with 13 nominations, but Del Toro’s wonderful story of woMAN and fish didn’t quite blow me away.  Liked it, didn’t love it.

John Wick 2 – by far the best guilty pleasure popcorn entertainment of 2017.  Never can get bored watching these first two films.  This is how you make a GOOD action film.

Split – Underrated film.  James McAvoy kills the role.  M. Knight is back, out of his slump.  And the twist of TWISTS that literally had yell out in the theater (haven’t experienced that in quite some time).  Can’t wait for Glass…

Thor Ragnarok – probably marvel’s best film since the first Guardians of the Galaxy.  And blows away the first two of the Thor films by a mile.  Hilarious.  Nostalgic.  Solid popcorn entertainment that is one of the better blockbusters to actually exceed expectations. 

Baby Driver – Edgar Wright’s action comedy musical rollercoaster was one of the more original experiences to say the least.  With an all star cast behind it, I called it Drive meets La La Land, which should mean I adored it (two of my favorite films ever).  The closing moments kind of sent it to typical third act action movie status, regardless the film was fun to watch and without a doubt deserving to be mentioned.

Mother! – Really wanted to give this top 10 love, but couldn’t remove any of the ones that made the list.  Amazing film in its own weird disturbing way.  Beautiful actually.  A film that warrants two watches almost immediately after seeing it once. 



THE TOP 10


#10 – COCO

                                     

Pixar hasn’t had a movie in my top 10 since Toy Story 3 almost ten years ago.  Coco was a breath of fresh air out of the big mouse.  Using the famous Mexican holiday Day of the Dead as its backdrop, Coco tells the story about a young boy who aspires to be a musician in a family that refuses to listen to any music whatsoever.  During the course of the story as the boy learns why he is a gifted guitar player, we are taken down the usual sub metaphor road that most Pixar films articulate through their child plot.  What separates Coco from the recent flock of Pixar releases for me was how it used a rather singular cultural fairytale to transcend its story that any culture truly can relate to.  Especially using the love of music and the powerful love that family can have. 

#9 – BLADE RUNNER 2049


This was by far the film I was most hyped for all 2017.  Cult Sci-Fi 80s classic (check).  Harrison Ford and Ryan the Godling (check check).  Hottest Director right now Denis Villeneuve (Prisoners, Sicario, Arrival, all films have made my top 10).  Hanz Zimmer score and perhaps the best visuals of the year at the movies (check and check).  How could this movie disappoint?  Well even at #9 and as good of a movie as it was, the letdown had to come somewhere.  The story didn’t really “excite” audiences as one might have suspected from the trailers.  As one critic correctly put it, 2049 will go down as the most expensive sci fi arthouse film ever made.  The film felt like a 3 hour black mirror episode with a payoff that put a lot of people off.  Does any of this sound familiar?  Maybe because that is exactly how the 1982 original was perceived.   Not until many years later did it find a cult following and is now widely considered one of the all time greatest sci fi films.  Don’t come here looking for Independence Day is all I will say.  If for nothing else, watch it for the eye candy visuals that will have your eyes dazzling for 3 hours. 

#8 -  WIND RIVER


One of the those films I mentioned earlier that seemingly came and went without any recognition, Wind River was from the same writers of last year’s terrific Hell or High Water.  Although not nearly as great, Wind River does kind of have the same “western feel” as High Water did, but in a snowy cold Indian reserve setting.  A murder mystery about a dead Indian girl found basically frozen to death in the snow, Jeremy Renner and Elizabeth Olsen share a nice chemistry together in determining to get to the bottom of the whodunit case.  And why this girl had to die such an agonizing death in the cold.  Another beautifully shot film, Wind River stuck with me more than I initially expected and I have grown to like it the more I think back on it.  Not many murder mystery films garner praise lately in the wake of more politically correct dramas, and although Wind River isn’t innocent of doing the same, it’s not as over the head.  Solid storytelling and strong acting from its main two stars carries this film enough to make it far worth the watch. 

#7 – THE FLORIDA PROJECT


The coming of age story of the year comes in this amazing film about life’s not so bright side through the eyes of children growing up in a housing project in Orlando, on the outskirts of the big mouse.  Whether parents are junkies, whores, working in shitty jobs, or just ignorant all together, the Florida Project focuses its attention on the children that are forced to grow up living on the brink of having little to nothing, yet still finding that innocence that only a child can find.  William Dafoe gives a knockout performance as the manager who deals with his tenants almost like a manager in a baseball dugout.  Observing, listening, being a parent sometimes when necessary and a guardian protector, all the while managing the many delicate personalities living under his project housing.  It’s a wonderfully tragic story that happens all too often in America.  The film kind of feels like this year’s Moonlight in the way it was shot (gorgeous by the way) and displays the ugly beauty of the world. 

#6 – MOLLY’S GAME


One of the most enjoyable to watch films I saw of 2017, Molly’s Game is terrific, fun and captivating.  I was enthralled by its story from almost start to finish.  And this is a 140 minute movie, not an easy task.  Thank Aaron Sorkin for that achievement, the Oscar winning screenwriter of the Social Network who also help pen the excellent Moneyball, as well as Steve Jobs.  Molly’s Game is his first crack behind the lens and he excels wonderfully.  Great pacing and editing to keep the story energized, there’s barely a dull moment in the film.  And with two absolutely great performances out of Jessica Chastin and Idris Elba, the film never lets you down.  Based on the true story about Molly Bloom, ex winter Olympic skier turned underground poker queen.  If that doesn’t peak your interest enough, the details certainly will.  Especially for those that love a great poker film, this one already deserves to be in the conversation with any of them. 

#5 – THE BIG SICK


There’s always that one “feel good movie of the year” candidate and for 2017 that award belongs to the Big Sick.  For all my favorite dark brooding stories that typically encapsulate my attention, there’s always a few bright spots that find a way to shine just bright enough to make it on my top ten.  The Big Sick is loosely based on the real life romance that brought the two writers of the film together, Emily Gordon and real life comedian Kumail Nanjiani (who is actually hilarious).  Kumail plays basically himself in the film that tells the story of how they met and went through one of the toughest ordeals one can ever experience when Emily has to be put into a coma.  Ray Romano and Holly Hunter are excellent as Emily’s parents and seeing the cultural differences between Kumail’s Pakistani family and Emily’s showcases the beauty behind the film.  When movies can make you laugh hysterically, all the while make you feel something emotionally and stirring, those are some of the best tricks any film can pull off.  I hate the term “rom-com” when it comes to the really really good ones, because they tend to get lost in translation, but the Big Sick is one of the rare ones that truly stick out and worth your two hours.
(Amazon Prime)

#4 – GET OUT


If the Big Sick was the feel good movie of the year, then Get Out has to be the most pulverizing film of the year.  No one knew what they were getting into (see what I did there) when they came to Get Out (I’m here all week).  No but seriously, Jordan Peele of the comedy duo Kenan and Peele, directorial debut, not even a comedy but a horror/thriller mystery?  Well, by now we all know the result of this, a terrific modern thriller and cultural phenomenon with social undertones that explore the depths of white America’s obsession with African Americans in a very dark tone taken to extreme measures.  Peele handles the lens with a Hitchcockian eye, (Alfred Hitchcock is considered the Grandfather of horror) many scenes fill up with such tension and dread, the best type of true “horror.”  Helplessness, fear and the human will of survival.  Something that no matter how dire or bleak a situation one finds himself (as the star of the film does), a simple two words can emit so many feelings… Get….OUT!!!

#3 – DUNKIRK


Were getting to the nitty gritty top three as we wind down this year’s best.  It has been awhile since the great Dark Knight director has seen inside my top three, but Dunkirk has halted that trend.  In what many other critics have hailed his best work as a director to date (it’s close), Dunkirk was by far and away THE MOVIE EXPERIENCE in the theater of the year.  A must to be seen on a large scale screen and powerful sound system, Nolan tells the epic story of the perilous 400,000 British and French soldiers stuck on the beaches of Dunkirk trying desperately to get home before the Nazi’s shoot them like fish in a barrel.  With the action being told from three points of view…land, sea and by air.  Nolan purposely used very little dialogue in the film, instead using great cinematography and a pounding musical score from Hanz Zimmer, as to portray the bleakness of the situation those men faced.  He didn’t want to you just to hear about it, he made you FEEL IT.  And feel it did you ever.  A 100 minute rollercoaster that literally doesn’t stop moving until the final minute fades to black.  It doesn’t have to be considered his best work when you have the catalog of Christopher Nolan…but it’s definitely up there for consideration. 


#2 – THREE BILLBOARDS OUTISDE EBBING, MISSOURI


Both these next two movies left me feeling the most emotionally invested to their characters and stories.  It was a tough call between the two, but coming in here at #2 is the powerful middle white America drama Three Billboards, with the best ensombled cast of the year.  Francis McDorment gives an incredible performance as the take-no-bullshit angry mom Mildred Hayes, who purchases three billboards in her little small town Ebbing, Missouri to bring back attention to her daughter’s awful rape and murder.  It’s been almost a year and as most cold cases go, the murder has faded from the town’s memory and thus the police department as well.  Led by the Sheriff (an equally incredible performance from the great Woody Harrelson) who is beloved by the community and his fellow officers like Dixon (the other standout performance hailed by Sam Rockwell), Mildred is faced by backlash from the town and police for calling the sheriff out personally.  Even though deep down she cares and respects him, the loss of her child has pushed her over the edge of no going back and she is a reckoning tore de force until she gets justice of some sort.  The not so subtle racial undertones in the story left some people feeling uneasy, especially in the state were currently in the world, but to ignore the fact that much of that middle white America still exist exactly as its portrayed is to be naïve.  Three Billboards story is one of the more creative and original plots that came out of 2017 and definitely played a big part as to why I enjoyed it so extensively.  A powerful story that resonates much of what were trying to fix in our current state of living, that people can change, ugly and bad, and good can still conquer evil even when the most evil act forces you to be something you hate.  Sometimes love and hate can learn to co exist.


 #1 
LOGAN



And here we are.  Logan was released fairly early in the year and even though I was blown away by it, I expected something else to top it by the end of the year.  One by one every movie I saw this year was good to really good, but nothing ever stood out nearly as much as Logan did for me.  A transcendent superhero action-western drama that calling it a “marvel film” almost feels cheap.  There is nothing marvel about this film outside of the fact there’s a man with metal claws moping around hating himself and everyone around his miserable life, trying to get a boat to save his ill long time friend Professor Xavier (Patrick Stewart turns in the performance of his Xmen career here and shame he wasn’t at the least nominated for supporting role).  It isn't until a little girl comes along named Laura that changes the course of the rest of their lives, who may or may not be related in some way to Logan.  Stewart and Hugh Jackman have been playing these characters for nearly 20 years, as both stated this would be their final film playing these iconic characters, they gave audiences and fans the film we been dying for from the beginning.  With the studio no longer holding back a pg13 family friendly rating and ticket sale dreams, we at last got the Wolverine story we wanted.  A Dark Knight level drama that belongs right up there with what is considered the Godfather of superhero films, Logan very well in the long run might even surpass it.  It’s the only film I saw 4 times in the past year and every watch captivates me more and more.  The action is stirring, the emotions are raging (literally) and there’s a beautiful mid way scene when Logan, Professor and Laura share dinner with a family that takes them in.  The moment takes a step back out of the madness of the series to give a thoughtful hope of what life could be if these were just normal human people without special powers.  As long been the narrative of these Xmen stories, people shouldn’t be judged hated or feared because one is different than another.  Like we need anymore wake up calls to our cultural issues in society, however Logan truly found a great segway in its story to perfectly craft an action adventure while pushing audiences to thought and moving them all the while not barreling them over the head with its message.  A terrific movie I look forward to watching again and again over the years.